![]() ![]() With the help of prominent critics such as Tom Moylan, L. Structurally, the study is divided into three chapters, the first of them assuming the role of theoretical introduction, whereas the latter two represent the practical analysis. ![]() As the most prominent and recurring themes in dystopian literature, both traditional and contemporary, the thesis recognizes concepts such as the manipulation through language and media, the loss of individual freedom and privacy, and the abuse of power by elites, all of which are of special importance for the present-day social thinking and politics. Besides these goals, the study aims to provide the reader with a thorough definition of dystopianism and a concise overview of the historical development of this genre and its manifestations in the works of the above-mentioned authors. The analysis involves prominent recent authors including Iain Banks, Ken MacLeod, Adam Roberts, Charles Stross, and Chris Beckett and through the selected works of these authors it aims to explore the recent trends in science fiction and its utopian subgenres. The objective of the present study is to identify and analyse the common themes of dystopian fiction in Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, and to trace the transformation of these themes, as well as the development of new thematic realizations, in contemporary British speculative fiction. Classic god complexes, attributed to the supreme leader, in the form of personality cult, rituals, expressions that involve not the name of the Creator, but the name of whomever they chose to represent their interests, symbols etc., accompanied by all sorts of fake arguments, in an attempt to justify their actions, all these aspects are presented here and illustrated with concrete examples from a series of dystopian fictions, among which we can enumerate “Brave New World” by Aldous Huxley, “Nineteen eighty four”, Orwell’s famous novel, “We” by Yevgeny Zamyatin, “Fahrenheit 451” by Ray Bradbury and many others, in order to create a more comprehensive picture of the given spectrum of psycho-sociological behavior and some of its implications in relation to human nature and its inherent sense of religiousness. In this paper we discuss some of the most substantial and conspicuous methods, which authors of dystopian fictions envision in their novels/ films, to replace God and religion by laic, totalitarian constructs of power. citizens), but over their heart and mind as well, aware that the void left behind from the absence of religiousness must necessarily be filled. By doing so, the state apparatus attempts to gain control not only over the lives of his subjects (i.e. Lastly, I will briefly discuss whether the future portrayed in the books has been reached today in any sense.ĭespite the fact that both the governments of real totalitarian regimes, as well as leading powers from dystopian fictions, outcast religion, as they recognize its tremendous capacity over human conscience, they adopt many of its manifestations, in order to redirect this immense religious capability towards their own earthly leadership. That is, I will try to discover if their construction was based on the authors’ true life lessons and if these, in turn, are reflected or prevalent in the characters. Through the eyes of John the Savage and Winston Smith, who are not only connected by their marginal and repressive situation in society, but also because they are direct witnesses of that change the authors feared, I will try to demonstrate whether they can be representative of the voices and thoughts of Huxley and Orwell, respectively. That change, they contemplated, would aggravate with the pass of time. In their opinion, keeping in mind the different contexts in which they lived, both contemporary societies and individuals were suffering from a change the latter being transformed into one more part of a highly hierarchical industrial and social apparatuses. These, dystopia and their travel experiences, allowed them to clearly express their critiques once they arranged to write the novels. ![]() Following, I deal with their opinions about the effects of industrial and technological advances, such as propaganda, as for what they witnessed because of their travels and personal experiences. Firstly, I succintly comment the outcomes of the two world wars in England to, then, relate them to the authors’ choice of the dystopian genre. The main objective of my study is based on the literary analysis of two novels: Aldous Huxley’s Brave New World in relation to George Orwell’s Nineteen Eighty-Four. ![]()
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